Conjuring Credits

The Origins of Wonder

User Tools

Site Tools


Differences

This shows you the differences between two versions of the page.

Link to this comparison view

Both sides previous revisionPrevious revision
Last revisionBoth sides next revision
cards:ose_false_cut [2015/09/21 22:48] tylerwilsoncards:ose_false_cut [2016/03/29 10:09] – links added denisbehr
Line 5: Line 5:
 Prior to Conradi, Henri Decremps, in //[[http://askalexander.org/display/5129/Decremps+from+Kaufman/154|Testament de Jérome Sharp]]//, 1785, p. 154 of the Hugard translation, describes another five-packet false cut, the pattern of which is different from that described by Conradi. The closest in concept to Ose's cut is Richard Himber's false cut in //[[http://askalexander.org/display/22997/The+Tarbell+Course+in+Magic+Volume+III/198|The Tarbell Course in Magic, Volume 3]]//, 1943, p. 196, which is a two-packet version of the "Ose" cut. Prior to Conradi, Henri Decremps, in //[[http://askalexander.org/display/5129/Decremps+from+Kaufman/154|Testament de Jérome Sharp]]//, 1785, p. 154 of the Hugard translation, describes another five-packet false cut, the pattern of which is different from that described by Conradi. The closest in concept to Ose's cut is Richard Himber's false cut in //[[http://askalexander.org/display/22997/The+Tarbell+Course+in+Magic+Volume+III/198|The Tarbell Course in Magic, Volume 3]]//, 1943, p. 196, which is a two-packet version of the "Ose" cut.
  
-And while Jim Swain has claimed the idea of having a spectator do the Ose cut (see //21st Century Card Magic//, 1999, p. 24, and //[[http://askalexander.org/display/25343/MAGIC+MAGAZINE+VOL+12+No+1+6/459|Magic]]//, Vol. 12 No. 4, Dec. 2002, p. 97), he was preceded by a description in Paul Harris's //The Art of Astonishment, Vol. 3//, 1996, p. 300; the basic cut is claimed here to come from //Expert Card Technique//, although this seems an error. The text doesn't clarify whether the idea of a spectator-driven Ose cut was provided by Harris or Long, but in personal conversations with Long, he defers all credit to Harris.+And while Jim Swain has claimed the idea of having a spectator do the Ose cut (see //[[http://askalexander.org/display/17854/21st+Century+Card+Magic/40|21st Century Card Magic]]//, 1999, p. 24, and //[[http://askalexander.org/display/25343/MAGIC+MAGAZINE+VOL+12+No+1+6/459|Magic]]//, Vol. 12 No. 4, Dec. 2002, p. 97), he was preceded by a description in Paul Harris's //[[http://askalexander.org/display/10761/The+art+of+astonishment+book+3/266-267|The Art of Astonishment, Vol. 3]]//, 1996, p. 300; the basic cut is claimed here to come from //Expert Card Technique//, although this seems an error. The text doesn't clarify whether the idea of a spectator-driven Ose cut was provided by Harris or Long, but in personal conversations with Long, he defers all credit to Harris.
  
 {{tag>technique}} {{tag>technique}}