Conjuring Credits

The Origins of Wonder

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cards:popover_card_production [2013/03/29 10:50]
denisbehr tag added
cards:popover_card_production [2017/06/28 14:57] (current)
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 ====== Popover Card Production ====== ====== Popover Card Production ======
  
-This flourish production is by J. KHartman, first described in his //​[[http://​askalexander.org/​display/​17574/Packet+Magic/8|Packet Magic]]// (1972)p2As Hartman notes there, his starting point was Neal Elias'​s ​"Another Cutting Discovery" in //​[[http://​askalexander.org/​display/​11088/Ibidem+2/284|Ibidem]]//, No. 26Sept1962, p. 9. The difference between the two is that the Elias sleight is done as the halves of the deck are put together, while Hartman'​s handling occurs with the full deck held in the left hand.+Productions of this kind got their start from the top of the deck. J.BBobo published ​his "​Pop-Over Card" in //​[[http://​askalexander.org/​display/​38078/The+Sphinx/8|The Sphinx]]//, Vol45 No12Feb. 1947, p. 368. Bruce Elliot later brought the production to the bottom of the deck with his "Fillip" in //​[[http://​askalexander.org/​display/​13129/Phoenix/155|Phoenix]]//, No. 188Oct1949, p. 751.
  
-Preceding these popover productions of a card is J. BBobo's "Pop-Over Card" in //​[[http://​askalexander.org/​display/​38078/The+Sphinx/8|The Sphinx]]//, Vol45, No. 12Feb1947, p. 368.+The best-known production in this family ​is by J. KHartman, first described in his //​[[http://​askalexander.org/​display/​17574/​Packet+Magic/​8|Packet Magic]]//, 1972, p. 2. As Hartman notes there, his starting point was Neal Elias's "Another Cutting Discovery" in //​[[http://​askalexander.org/​display/​11088/Ibidem+2/284|Ibidem]]//, No26Sep. 1962, p. 9. The difference between the two is that the Elias sleight is done as the halves of the deck are put together, while Hartman'​s handling occurs with the full deck held in the left hand. 
 + 
 +Several people have created one-handed variants of these productions. Tom Batchelor published his handling as "On the Cut" in //Canadian Card Control//, 1971, p. 28. Aaron Fisher later released his version in //Magic//, Vol. 3 No. 5Jan1994, p. 55, and again in //The Sleight Album//,​1995,​ p. 16, and //The Paper Engine//, 2002, p. 29.
  
 {{tag>​technique}} {{tag>​technique}}