Conjuring Credits

The Origins of Wonder

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cards:slip_force [2017/06/28 16:57] – external edit 127.0.0.1cards:slip_force [2018/06/17 19:20] – Added Val Evans reference. tylerwilson
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 The Slip Force depends on the mechanics of a much older, forgotten color change, which used the slip mechanism to overtly cause one card to change into another. This appeared in the unpublished //[[http://askalexander.org/display/38803/Gibeci+re/52|MSS III, 18]]//, also called “the Asti Manuscript”, c. 1700, p. 51 of the Pieper translation. The manuscript was translated in //Gibecière//, Vol. 8 No. 1, Winter 2013, p. 29-234. The same application later hit the printed page in Edme-Gilles Guyot's //Nouvelles Récréations Physiques et Mathématiques//, 1769, p. 33 of the unpublished Hugard translation. The Slip Force depends on the mechanics of a much older, forgotten color change, which used the slip mechanism to overtly cause one card to change into another. This appeared in the unpublished //[[http://askalexander.org/display/38803/Gibeci+re/52|MSS III, 18]]//, also called “the Asti Manuscript”, c. 1700, p. 51 of the Pieper translation. The manuscript was translated in //Gibecière//, Vol. 8 No. 1, Winter 2013, p. 29-234. The same application later hit the printed page in Edme-Gilles Guyot's //Nouvelles Récréations Physiques et Mathématiques//, 1769, p. 33 of the unpublished Hugard translation.
  
-The force application appears to be a twentieth-century creation. It appeared in Ellis Stanyon's //[[http://askalexander.org/display/16754/Stanyon+s+Magic+Vol+13+No+03/4|Magic]]//, Vol. 13 No. 3, Dec. 1912, p. 20. As was often the case with Stanyon, he didn't supply a source for who developed the move. Victor Farelli, in //[[http://askalexander.org/display/13873/Card+Magic+Part+Two/4|Farelli's Card Magic - Part Two]]//, 1933, p. 64, shares his belief that Nate Leipzig is to thank for the move's creation.+The force application appears to be a twentieth-century creation. It appeared in Ellis Stanyon's //[[http://askalexander.org/display/16754/Stanyon+s+Magic+Vol+13+No+03/4|Magic]]//, Vol. 13 No. 3, Dec. 1912, p. 20. As was often the case with Stanyon, he didn't supply a source for who developed the move. One month later on the other side of the Atlantic, Val Evans claims credit for the move in //[[https://askalexander.org/display/38242/The+Sphinx/17|The Sphinx]]//, Vol. 11 No. 11, Jan. 1913, p. 221. Victor Farelli, in //[[http://askalexander.org/display/13873/Card+Magic+Part+Two/4|Farelli's Card Magic - Part Two]]//, 1933, p. 64, shares his belief that Nate Leipzig is to thank for the move's creation.
  
 A modern handling is commonly attributed to Gary Kurtz, due to its appearance in //Unexplainable Acts//, 1990, p. 26, but the same mechanics were developed and published by Marc Delahousse in //[[http://askalexander.org/display/20325/M+U+M/694|M-U-M]]//, Vol. 67 No. 8, Jan. 1978, p. 34. A modern handling is commonly attributed to Gary Kurtz, due to its appearance in //Unexplainable Acts//, 1990, p. 26, but the same mechanics were developed and published by Marc Delahousse in //[[http://askalexander.org/display/20325/M+U+M/694|M-U-M]]//, Vol. 67 No. 8, Jan. 1978, p. 34.
  
 {{tag>technique}} {{tag>technique}}

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