Conjuring Credits

The Origins of Wonder

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misc:professor_s_nightmare [2018/10/21 21:44] stephenminchmisc:professor_s_nightmare [2021/12/15 17:13] (current) – link to photos added denisbehr
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 **Precursors:** **Precursors:**
  
-The evolution of the effect in which three unequal ropes become equal in length (or, later on, the converse) is complex and there has been some disagreement over credits. There are indications that Douglas Kelley and Vincent Lynch developed the fundamental approach in the late 1920s and passed this on to Lyle Laughlin (who is often credited with its creation). Laughlin's handling (known as "The Sealed Rope Mystery") was marketed in 1933 by E. Loyd Enochs. However, Tom Osbornethree years earlier had advertised "Osborne's Rope Illusion" in //[[http://askalexander.org/display/38644/The+Sphinx/39|The Sphinx]]//, Vol. 29 No. 5, July 1930, p. 231. Osborne's small ad gives no description of the effect, but this is provided in an Ireland Magic Co. ad in the January 1932 issue of //[[http://askalexander.org/display/38446/The+Sphinx/29|The Sphinx]]//, Vol. 30  No. 11, p. 527. By February 1934, the trick began to appear in other ads as Osborne's "Three to One Rope Trick"; see //[[http://askalexander.org/display/37587/Linking+Ring/100|The Linking Ring]]//, Vol. 14 No. 12, back page.+The evolution of the effect in which three unequal ropes become equal in length (or, later on, the converse) is complex and there has been some disagreement over credits. There are indications that Douglas Kelley and Vincent Lynch developed the fundamental approach in the late 1920s and passed this on to Lyle Laughlin (who is often credited with its creation). In //[[https://askalexander.org/display/12886/The+Chronicles/236|Chronicles]]//, No. 24, 1979, p. 1300, Karl Fulves quoted from a letter written him by Laughlin: "I was beaten out by Tommy Osborne on my  3-1 ("Sealed"rope trick. Tommy got it by hearsay  from Chas. Hoffman who thought he knew it after having seen it demonstrated by Loyd Enochs. Tommy missed two points that really made the trick. Tommy and I later discussed it but there was no big deal about it." In Pete Biro's column in the February 1983 issue of //[[https://askalexander.org/display/37113/Genii/39|Genii]]// (Vol. 47 No. 2, p. 123), Laughlin is quoted from a letter to Biro: "Enclosed find copy  of  my  3-to-l Rope Trick, developed in 1932-33 and shown to Loyd Enochs in 1934, who advertised it as the 'Sealed Rope Trick' without my knowledge and/or permission.However, Tom Osborne---two or three years before Laughlin said he developed the trick, and four years before Laughlin said he showed it Enochs---advertised "Osborne's Rope Illusion" in //[[http://askalexander.org/display/38644/The+Sphinx/39|The Sphinx]]//, Vol. 29 No. 5, July 1930, p. 231. Osborne's small ad gives no description of the effect, but this is provided in an Ireland Magic Co. ad in the January 1932 issue of //[[http://askalexander.org/display/38446/The+Sphinx/29|The Sphinx]]//, Vol. 30  No. 11, p. 527. By February 1934, the trick began to appear in other ads as Osborne's "Three to One Rope Trick"; see //[[http://askalexander.org/display/37587/Linking+Ring/100|The Linking Ring]]//, Vol. 14 No. 12, back page. [[https://www.conjuringcredits.com/lib/tpl/credits/files/1930-osborn-rope.jpg|Photos hand-dated 1930]] also exist of Osborne performing the trick. It is conceivable that Laughlin's account is essentially true, but that his memory on the dates was faulty. But he states the years with apparent assurance.
  
 In 1937, Edward Victor published his rope routine, "My Rope Trick" (in his //[[http://askalexander.org/display/24748/The+Magic+of+The+Hands/98|The Magic of the Hands]]//, p. 84) in which the magician is unable to cut a piece of rope into equal segments. In some respects, this was a two-rope reverse version of "The 3-to-1 Ropes". While Victor did not claim originality for most of the techniques utilized in his handling, he certainly helped popularize the premise of the equal-unequal ropes. A similar approach, released by Abbott's Magic Novelty Co. just months after Victor's book, was Harold Sterling's "Short and Long Rope Mystery"; see //[[http://askalexander.org/display/37704/Linking+Ring/63|The Linking Ring]]//, Vol. 17 No. 11, Jan 1938, inside back page. This trick was eventually included in //Abbott's Encyclopedia of Rope Tricks//, 1941, p. 136. A wide array of approaches and techniques found their way into performance or print during the next several years. These include John Goodrum's "The Magic Laces," Robert Parrish and Oscar Weigle's handling in //[[http://askalexander.org/display/38676/Do+That+Again/70|Do That Again]]//, 1939, p. 70, Cecil Keech's "The Seekay Tricords", 1947, and Hen Fetsch's marketed four-rope version "Rope Epic", 1943. Another Fetsch approach (or at least variant) was marketed in 1954 by Gene Gordon under the name "Quadropelets". Lewis Davenport reworked two phases of the Fetsch routine into a handling in which three apparently equal ropes are displayed, gathered together, made unequal, made equal again. One rope is then handed to a spectator, the remaining two are found to be unequal and are handed out. Davenport called this routine "The Unequal Ropes". In 1937, Edward Victor published his rope routine, "My Rope Trick" (in his //[[http://askalexander.org/display/24748/The+Magic+of+The+Hands/98|The Magic of the Hands]]//, p. 84) in which the magician is unable to cut a piece of rope into equal segments. In some respects, this was a two-rope reverse version of "The 3-to-1 Ropes". While Victor did not claim originality for most of the techniques utilized in his handling, he certainly helped popularize the premise of the equal-unequal ropes. A similar approach, released by Abbott's Magic Novelty Co. just months after Victor's book, was Harold Sterling's "Short and Long Rope Mystery"; see //[[http://askalexander.org/display/37704/Linking+Ring/63|The Linking Ring]]//, Vol. 17 No. 11, Jan 1938, inside back page. This trick was eventually included in //Abbott's Encyclopedia of Rope Tricks//, 1941, p. 136. A wide array of approaches and techniques found their way into performance or print during the next several years. These include John Goodrum's "The Magic Laces," Robert Parrish and Oscar Weigle's handling in //[[http://askalexander.org/display/38676/Do+That+Again/70|Do That Again]]//, 1939, p. 70, Cecil Keech's "The Seekay Tricords", 1947, and Hen Fetsch's marketed four-rope version "Rope Epic", 1943. Another Fetsch approach (or at least variant) was marketed in 1954 by Gene Gordon under the name "Quadropelets". Lewis Davenport reworked two phases of the Fetsch routine into a handling in which three apparently equal ropes are displayed, gathered together, made unequal, made equal again. One rope is then handed to a spectator, the remaining two are found to be unequal and are handed out. Davenport called this routine "The Unequal Ropes".